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www.99agk.com_申慱sunbet手机版《银河补习班》剧组邓超俞白眉

文章来源:SEO    发布时间:2019-10-18 03:28:24  【字号:      】

www.99agk.com_申慱sunbet手机版《银河补习班》剧组邓超俞白眉Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

Emperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisureEmperor Qianlong's calligraphy on display in Beijing#标题分割#VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlong'spassionforcalligraphyandpaintingisthesubjectofanongoingexhibitionatthePalaceMuseum.Ifhehadnotbecomeemperor,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),wouldhaveinsteadseenhisnameetchedinhistoryasanartistorawriter.EvenasarulerknownforpresidingoveraneraofboomingsocialprosperityinChina,theemperorwasadeptattakingtimeoutfromrunningstateaffairstoexplorehispassionforfineart.Itisdifficulttocalculatejusthowmanyink-on-paperworksbyQianlongremaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-China'sformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,000handwrittenpoemspennedbytheemperorinanoldroyalwarehouse.Qianlong'slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthesubjectofanongoingexhibitionatthePalaceMuseumrunningthroughJune.ShiYiShiErTu,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlong'spursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,hisclosecourtiersandothermembersoftheroyalfamily.Morethanhalfoftheworkshaveneverbeenpubliclydisplayedbefore."EmperorQianlong'sfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourtcalligraphersintheirpracticeandlarge-scaledevelopmentofthisart.Qianlong'stasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,andonethatremainsacrucialreferencepointforChinesearthistorytoday.In1746,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-builtathisresidencetodisplayhisthreefavoriteworksofcalligraphy.Qianlong'shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhi'sClearingAfterSnowfall,hissonWangXianzhi'sMid-AutumnFestivalandWangXun'sLettertoBoyuan.Duetotheirageandthefragilityofpaper-basedartworks,thetrioaregenerallyconsideredamongthemostpreciousremnantsinthehistoryofChinesecalligraphy.Oneoftheworksondisplay,DongBangda'slandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongparagraphofemotionalcommentsQianlongleftononecornerofthepainting.Zhaosaystheemperorcreateddozensofreproductionsofthe"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,"shesays.Followinghisedict,Qianlong'scourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"Zhaosays.AnotherhighlightedexhibitthatcomesfromQianlongishisreproductionoftheNorthernSongDynasty(960-1127)painting,ElegantGatheringintheWesternGarden.Theoriginalpaintingportraysagroupofcelebratedliteratiofthetime,includingSuShi,MiFu,HuangTingjianandLiGonglin.Othersignaturesonthepaintingsuggesttheworkwasjointlyproducedbytheemperorandseveralofhiscourtiers.Apparently,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperor'semotions."In1743,Qianlonginvitedthecapital'sliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor'sideals.ThepaintingdepictsQianlong,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,sittinginhisstudy.Aportraitofhimhangsonthescreenbehindhim.Thescenepresentsanimpromptuquestion:WhichoneisQianlong'strueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure

欧盟仅8国承诺淘汰煤电 与巴黎协定相差极大#标题分割#资料图:当地时间2015年12月12日,法国巴黎气候变化大会12日晚通过全球气候变化新协议。协议将为2020年后全球应对气候变化行动作出安排。  据报道,18日,欧盟执行委员会表示,已获得8国保证,将对履行具里程碑意义的巴黎气候协定做出贡献。欧盟气候与能源执委卡尼特(MiguelA.Canete)说:“越来越多会员国做出政治承诺,将在下个十年逐步减少(使用)煤炭。”  卡尼特表示,在提出或确认时间表的欧盟国家中,法国打算2022年前逐步淘汰燃煤发电,意大利和爱尔兰则预计2025年前完成。丹麦、西班牙、荷兰、葡萄牙和芬兰等国将在2030年前完成。  欧盟执委会副主席塞夫柯维奇称这些承诺是“由一些重要会员国提出,释出非常重大的信号。”欧盟执委会补充,欧盟经济最强、却也是最大污染源的德国,表示将为煤电定“一个最后时间”。  然而,一名欧盟官员表示,其余20个国家,包括重度倚靠燃煤的波兰,尚未提交断绝化石燃料的时间表。  德国一研究气候的机构表示,这些承诺的影响有限,因为这8国占欧盟所有燃煤发电量不到20%。  专家称,依照欧盟国家目前的承诺,2030年时欧盟仍有40%的现有燃煤发电量存在,这与巴黎协定所达成的共识非常不一致。  据悉,巴黎协定要求欧盟在2030年前完全淘汰燃煤发电。欧盟仅8国承诺淘汰煤电 与巴黎协定相差极大#标题分割#资料图:当地时间2015年12月12日,法国巴黎气候变化大会12日晚通过全球气候变化新协议。协议将为2020年后全球应对气候变化行动作出安排。  据报道,18日,欧盟执行委员会表示,已获得8国保证,将对履行具里程碑意义的巴黎气候协定做出贡献。欧盟气候与能源执委卡尼特(MiguelA.Canete)说:“越来越多会员国做出政治承诺,将在下个十年逐步减少(使用)煤炭。”  卡尼特表示,在提出或确认时间表的欧盟国家中,法国打算2022年前逐步淘汰燃煤发电,意大利和爱尔兰则预计2025年前完成。丹麦、西班牙、荷兰、葡萄牙和芬兰等国将在2030年前完成。  欧盟执委会副主席塞夫柯维奇称这些承诺是“由一些重要会员国提出,释出非常重大的信号。”欧盟执委会补充,欧盟经济最强、却也是最大污染源的德国,表示将为煤电定“一个最后时间”。  然而,一名欧盟官员表示,其余20个国家,包括重度倚靠燃煤的波兰,尚未提交断绝化石燃料的时间表。  德国一研究气候的机构表示,这些承诺的影响有限,因为这8国占欧盟所有燃煤发电量不到20%。  专家称,依照欧盟国家目前的承诺,2030年时欧盟仍有40%的现有燃煤发电量存在,这与巴黎协定所达成的共识非常不一致。  据悉,巴黎协定要求欧盟在2030年前完全淘汰燃煤发电。




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